Monday, July 31, 2017

Quick Hit Artist Interview: Flavia

Flavia at Hotel Cafe

Q&A time with the artist. Hope you enjoy:

How would you describe your sound? My sound explores dark pop and futuristic R&B in an electronic fusion.

How do you go about combining lyrics with sound? A melody provokes an emotion which inspires the lyrics.

Saturday, July 29, 2017

Quick Hit Band Interview: GospelbeacH

GospelbeacH

Q&A time with the band. Hope you enjoy:

How would you describe your sound? GospelbeacH's sound is good old fashioned West Coast Rock and Roll.

What motivates you to write your music? Our music is written to express our love for the people in our lives and to celebrate our love for the artists who inspired us so hopefully it inspires those who hear it!

Thursday, July 27, 2017

Quick Hit Artist Interview: Their Only Dreams

Their Only Dreams at The Echo (LA)
Q&A time with the artist. Hope you enjoy:


How would you describe your sound? Multidimensional entity approved synth machine core.

Is there a story behind when you knew you wanted to become a musician/singer? It's probably a really common story for people that really love creating music in any form. I've been musical my whole life, but when I decided, "oh this is who I am, I'm an artist and I like to express myself completely with an evolving art form of my own design that incorporates the history of world music, rock and roll, pop music, electronic music, jazz and sub rock genres of psychedelic nature;” all happened at once really . . . One summer, after my first year of college, my parents went on vacation and I was working delivering pizza. I found the dude that sold mushrooms and I bought a bunch. I also went to the bank and took out all my bar mitzvah money which was enough to buy all the vital records (compact discs) I was wanting for inspiration and an electric guitar and amplifier. So, it was a nice combination of stuff to create a Big Bang of creative inspiration that feels even more inspired now than it did all those years ago. The Legend of Their Only Dreams is spreading far and wide!

Tuesday, July 25, 2017

Quick Hit Band Interview: Draemings

Draemings at The Echo (LA)
Q&A time with the band. Hope you enjoy:

How would you describe your sound? We have a hard time describing our sound, because it's constantly changing. Grave-wave creature pop is the current genre we use to describe ourselves on our Facebook page. I like the idea of creatures and monsters and dark shadows having full-out dance parties to our music.

Would you rather be a 1 hit wonder known all around the world -OR- have a steady underground following? And then of course, why the choice? Steady underground following. I think when you are known for that one-hit, the rest of your career you'll be expected to just make copies of that one hit, rather than continuing exploring what you have to offer as an artist. It's the difference between wanting to be famous and wanting to make great music. As a band, I think we'd rather be able to make whatever music we want, and have a fanbase that will take that journey with us.

Sunday, July 23, 2017

Concert Review: Bloody Death Skull's residency at The Echoplex

This night was Bloody Death Skull's residency night at The Echoplex. Being that, one would expect some quirkiness throughout the evening.

Opening up for them was Quazar and The Bamboozled. From my understanding, the lead singer Brandon Jay writes music for Orange is the New Black. Their set was quirky and fun. The lead singer came across as a comedic magician who could, at any time, pull a rabbit out from under his top hat. At times, his hat would fly off and I would almost have bet with someone that a rabbit would have appeared sitting on the top of his head.

Zero DeZire came out on stage with one of the members wearing a duct tape bra. I was ready for another interesting set. One song was about an ex-friend's phone number and the fact that he stopped talking to one of the band members. It was hysterical. They sang a song called "It's My Birthday." In the back of my mind, I was thinking, "I've heard this song before." Well, an Internet search revealed that it was a song on HBO's Girls.

So to be honest, Happy Hollows was the reason why I selected this night to catch Bloody Death Skull. I've followed this band for years. By years, I mean that I saw them way back in 2009. I just love the infectious energy of the lead singer. They mentioned that they hadn't played a set in a year. Well, they obviously created pent up demand, because their fan base was out in force.

Bloody Death Skull is always this super quirky band. Why? Well, come on, one member of the band spent part of the set playing with dolls. When I saw this band a few months back at the Resident, she was rolling marbles around in a bowl. The lead singer donned a guerrilla mask for one song. Hopefully, those are solid enough examples of the quirkiness of this band. Vaudeville like magic.

Bloody Death Skulls Jul 17

Friday, July 21, 2017

Quick Hit Band Interview: Happy Hollows

Happy Hollows at the Echoplex (LA)
Q&A time with the band. Hope you enjoy:

How would you describe your sound? Our sound is a blend of rhythmic synthesizers and spiky, angular guitars. On top of that, we layer Sarah's expressive vocals. I think we certainly take inspiration from the post-punk era of music in the late 1970s and early 1980s, but we put our own distinct spin on that sound.

What are your favorite gigs We've had many fun shows over the years, but some of the best are the Fillmore with Silversun Pickups, the Great American Music Hall with Deerhoof, and Emo's with Lucius.

Wednesday, July 19, 2017

Quick Hit Artist Interview: Wendy Bevan

Wendy Bevan at The Echo (LA)

Q&A time with the artist. Hope you enjoy:

How would you describe your sound? Eclectic Electronic Synth Rock ‘n Roll.

How would you like your music to affect people who listen or see you play live? I would like my audience to feel like they have walked into my world, each song is a little piece of theater. I’m a story teller.

When is your next EP release? Soon! New exciting things to come.

Monday, July 17, 2017

Quick Hit Artist Interview: Wolf Woodcock

Wolf Woodcock at The Hi Hat
Q&A time with the artist. Hope you enjoy:

How would you describe your sound? We try to take a jazz-like approach to indie rock with open arrangements and woodwinds/brass. We have arrangements that go between sparse and quiet to very dense and loud. The vocals usually have a somber tone of sorts and range from quiet singing to yelling. It all falls under the indie rock umbrella, influenced more so of the late 90's/early 00's style.

What’s the favorite part of your set? My favorite part of our set is the second half of our last song "Town". It starts off really quiet, usually having the brass each take a solo, which then builds up into a crazy freakout where everyone is going nuts. It feels great to be in it with all the members, everyone listening to each other and building something new each time we play it. We then punctuate it with a soft ending, which creates an arc throughout the song that really shows the dynamics between all of us.

Saturday, July 15, 2017

Quick Hit Band Interview: YIP YOPS

YIP YOPS at Chinatown Summer Nights
Q&A time with the band. Hope you enjoy:


How would you describe your sound? It's almost impossible for us to describe our sound accurately from our perspective. Being that we are coming from the inside. It has to come from the outside perspective to give a valuable description. - Ison Van Winkle (lead vocals)

I saw that the band got to play Coachella this year. That's impressive. How do you believe the band has progressed from your beginnings to now? Thank you so much. Playing Coachella was an amazing experience. Like any band, we started off playing to nobody, but we have always had the ambition, work ethic and Ison's unbelievable songwriting behind us that has helped us achieve our goals up to this point. Growing up in the Coachella Valley, of course playing Coachella was going to be a huge goal for us, but it is just the beginning. We are hungry for more and we are continuing to work harder and harder every day to evolve as a band as well as making a name in this business. - Ross Murakami (drummer)

Thursday, July 13, 2017

Quick Hit Artist Interview: Trishes

Trishes at The Satellite
Q&A time with the artist. Hope you enjoy:

How would you describe your sound? Minimalist indie-pop with hip hop influences.

What is your favorite Trishes' lyric and what about it makes it so special?

"I am the new conquistador
I hide my urges in my words"

It's a bit shameful/hyperbolic comparing myself to a conquistador because of all of the murder and disease spreading and such but my point is that we often use morality or religion as a mask to hide our darker, socially unacceptable and primal wants - even to ourselves. The lyrics are special to me because my act is about the struggle between the spiritual self and the animalistic selves and this summarizes that.

Tuesday, July 11, 2017

Quick Hit Artist Interview: Emily Elbert

Emily Elbert at The Satellite
Q&A time with the artist. Hope you enjoy:

How would you describe your sound? The easiest way to describe my sound is probably soul-folk. My biggest inspirations include Stevie Wonder, Jimi Hendrix, and Joni Mitchell, and a lot of their contemporaries - I draw a lot from classic writers of the 60s and 70s. Stripped-down, thoughtful, but also a lil funky.

What inspires you to write your sounds? I’m inspired by the whole human experience - love, fear, introspection, connection - searching for what’s beyond. I really appreciate being in California because it provides the opportunity to get deep into nature, and that feels so healthy for the creative process. Meditation, movement, and being outside help put things in perspective.

Sunday, July 9, 2017

The Leftovers: was Nora Durst lying?

* Discussion of the final episode.

The Leftovers. I have to say up front that I did not fall in love with The Leftovers like many others did. I didn't like the fact that nearly every episode left me emotionally drained. I honestly wished that the series had explored other areas. Now I'm not one who argues that it should have explored why 2% of the world population departed. In a way, that would have made this show too science fiction (as if the final episode wasn't part K-PAX). What I do wish it had done was deal less with personal dynamics and more with the larger picture. For example, I wish the show had delved more into the structure/purpose of the Guilty Remnant. Yes, they were there to make people remember. But how was it set up? Did they have some other hidden agenda? They briefly explored this topic when Meg met with the leadership before traveling to Miracle, but I wanted so much more of that. We also know that the FBI was concerned about the group (as well as with Holy Wayne). To me, that's the intrigue. I do sort of see why people would be drawn to the Guilty Remnant, but did the leadership believe the same as the followers or was this ultimately just a manipulation of emotions for some ulterior motive (such as was explored in Kevin's afterlife visions -- though Patti was dead so I'm not sure that political power was their true motive)?

So now to Nora and the final episode. Did she lie to Kevin about the whereabouts of the 2%? Essentially, to me, Nora's story was taking the last 3 seasons (might be off a little here) of Fringe and condensing it into a 5 minute reveal. She was able to crossover to a parallel universe.

I initially totally believed her. Kevin died a number of times and had visions of those who had died: Evie, Dean, Patti, Meg, Wayne, etc. This represented, in my mind, some sort of Purgatory. So why couldn't Nora get some closure on what happened to her family? Why did I initially believe her? When watching the scene of her in the event chamber, I swear that her last word was "Yes." It wasn't "Stop!" Then it cut away. Well, done deal, she did it. She was acknowledging in her final word that she believed what the scientists told her.

Yet, certain things started to bug me about her story. I read articles about the episode that threw out some doubt and so now I am starting to doubt.

The event chamber: in those last seconds, her eyes appear to betray a look of fear. Kevin was always resolute in his death scenes. So even if she yelled out "Yes," did the scientist (or Matt) stop things just as a precaution and Nora then decided to quit?

No flashes of her seeing her children: We know what Kevin saw, because we saw it. There is no similar scenes with Nora. On the other hand, during the "Last Supper" we learn that Laurie is Judas, not Doubting Thomas. Are we, the audience, Doubting Thomas? Maybe we just need to have faith that Nora is telling us the truth. Of course, why shouldn't we just have faith that Kevin experienced what he said he experienced without it being shown to us?

Her story: she states that Mapleton is still functioning. Yes, there are a lot of abandoned homes, but the lights still work and people still live there and her family appears to be happy. It is almost like that world is an idyllic parallel universe (though people do have their questions).

This is where I am perhaps over-thinking and may be totally off base at the same time. We have 98% of the population disappearing in a split second. So I'm thinking a significant number of people must have died immediately after. Planes must have fallen from the sky. Buses/trains must have crashed. Hospital patients on the operating tables must have died. There must have been mass car collisions. Prisoners must have starved to death. I would think there would be even more suicides in this universe than in the universe we've followed over the last three seasons.

Then we have larger issues. What about nuclear power plants? Would there be enough people around to properly shut those down? Governments would have collapsed. Could people just live their lives with no government structure? And I'm not talking about big government, but just basic government such as police, road repair, water, etc.

And what are the chances that her family would still be in Mapleton after 7 years? Maybe 2,000 people were left in Mapleton. The total population in the US would drop to around 6 million. I would half suspect that the world would either turn into The Walking Dead (without the zombies)/Mad Max or that people would move to larger population centers so that enough skill sets could be harnessed so that society could continue with as much modern conveniences as possible. Nora's world does not represent the Walking Dead/Mad Max so then does it make sense that people would stick around their empty cities? Wouldn't that just feel a touch creepy having all these empty homes.

Yes, I read somewhere that throughout the three seasons, Nora was the most likely to be honest and truthful. Yet, her story just seems too neat.

So yes, I wish to believe her story, but I'm leaning towards her not being honest with Kevin and that this story was concocted as a way to ease Kevin's pain of wondering why Nora had just left him.





 

Friday, July 7, 2017

Quick Hit Band Interview: The Fontaines

The Fontaines at Broke LA

Q&A time with the band. Hope you enjoy:

How would you describe your sound? We describe our sound as "new-wop". Our biggest influences are new wave and do wop music.

What inspires you to write your songs? We got a piece of fan mail yesterday from Europe. She talked about a couple of our lines really getting to her (in a good way). I write to build relationships with like-minded people like her!

Wednesday, July 5, 2017

Moon Honey with Wall of Ears, Smoke Season and Miya Folick at the Echoplex

It was Moon Honey's final residency at the Echoplex. And the place was quickly packed with fans. I couldn't help but notice when I arrived -- early to catch Wall of Ears -- that there were already three photographers waiting to get inside the venue. And, I made four. Yeah, we made a small wall in front of the stage throughout the night. I'd say three or four other photographers showed up later in the night.

Wall of Ears had me thinking jangle pop. Honestly, I'm not sure of the exact definition of jangle pop, but that's what came to mind when I noticed the 70's inspired fashion. After their set ended, the lead singer asked the many photographers, "Take any good photos?" Of course we did, and I had to ask -- having learned that they're from Seattle -- "Have you heard of Mommy Long Legs?" Mommy Long Legs is also a band from Seattle that I recently saw at The Smell. The answer was, "Yes." Awesome.

Smoke Season followed up. Gabe, I swear, was channeling Lauren Ruth Ward. I do love this band. As was mentioned on stage, she does get her exercise in during the set. I'm not sure I could sing and dance like Gabe. I'd be gasping for breath rather quickly. She did go through one wardrobe change during a song. The change was wearing a jacket that was decorated with lights and may or may not have entailed the risk of getting an electric shock.

Depeche Mode's "Personal Jesus" was playing while Miya Folick while setting up her gear. I noticed her singing along for a few lines. Well, to me, that was a good hint that I was going to love her set. It was a power packed set with depth and energy. Even then, she was able to take a moment and call out to her mom in the audience, "Do you need ear plugs?" The answer was yes and Miya quickly provided her with some. What I found via an Internet search: she found at least one band mate via Tinder. How about that.

Closing out the night for me was Moon Honey. They had me thinking space opera. They had the stage decorated with objects that represented the moon and honey clouds. Sure, these stage objects were there for the other bands, but it took on more meaning when they came on stage. Maybe that meaning was emphasized by the light show that flashed the stage and at times had me thinking of the first Thor movie. Yes, everything combined had me thinking space opera.


The Echo June 17

Monday, July 3, 2017

Quick Hit Band Interview: Foundling

Foundling at The Satellite
Q&A time with the artist. Hope you enjoy:

How would you describe your sound? The sound is kind of dark dream pop. Lots of layered vocals and synths and effected guitar and deep bass. Hope it sounds like a deep canyon underwater where you can float through and see beautiful shifting patterns and colours in the canyon's walls and you feel like you might have been there before or that you belong.

You mentioned you're from Canada and now live in Berlin. Do you have any interesting perspectives about the music scenes in Berlin and Canada? Berlin is a huge city with a very pulsing massive electronic music scene that dominates but there are all kinds of other scenes for every kind of music. Most of my time in Canada has been in Montreal and I feel like there is a more distinct sound that changes and evolves amongst the bands and big parts of the scenes, I guess because it's so much smaller and the community tighter, like everyone gets to know everyone eventually and there is so much collaboration between musicians in different projects. I feel like both Montreal and Berlin seem to support and push creativity and innovation in music, like anything is possible and there is a thirst for new things. Love them both!

Saturday, July 1, 2017

Quick Hit Band Interview: Wall of Ears

Wall of Ears at the Echoplex
Q&A time with the band. Hope you enjoy:

How would you describe your sound? Wall Of Ears is the voice of aliens beaming thru four foreheads in the manners of exxxtra texturized wall-of-sound improvisational pop. Sonic ejections in the shape of the void.

What’s the story behind how your band started? We initiated in the swamps of Louisiana, alien country, and the wet woods of Washington and slowly but surely gravitated towards each other via instrumental guidance and a severe hankering for avant-garde experimental lust. The band started as a solo project of pure psychedelic transmissions but continues to swell and evolve and undo itself and has morphed into a four-piece music collective localized in the Seattle underground.