Quarantine Online Sets: Version 11

Wednesday's work at home got interrupted between 3 p.m. to 5 p.m. Moses Sumney popped up on Seattle's KEXP's Live at Home Youtube show. I missed his Bootleg residency due to work, illness and a fear of crowds. His Lo-Fi, minimalist music rang true during his set. He'd record his vocals and then allow those recordings to back up his singing. His set ended with his song "Doomed" that just had these sonic echos. The KEXP host also conducted an interview with Moses. Unfortunately, my laptop computer's speakers couldn't pick up his interview very well.

Moses Sumney

Then up on Buzzbands' Instagram site was Trapdoor Social. Well, it was just Skylar. His set went the full hour with him shifting from guitar to piano to a harp. Yes, a harp. A lot of the back half of the set was with Skylar multitasking. He'd start singing and at the time reading the messages that were being left on Instagram and then mid-song, responding to the messages. It was fun. He ended the set singing his song, "No Regrets." He mentioned that he hadn't sung the song in years and had written it ten years ago and had forgotten how it started. Some fans did Internet searches or something and wrote down the opening lyrics to the song. With the memory help, he started up the song.

Trapdoor Social

Thursday was a similar situation where work got interrupted again. This time between 4 p.m. and 5: 30 p.m. Up on Buzzbands' Instagram site was Sam Marine who played a couple of his country-western tunes in a sideways manner on Instagram. Some folks on Instagram started to message that he was sideways. He sort of chuckled. I'm not sure if he was playing sideways on purpose or thought folks were making a joke. Anyways, his wife came into the room (off screen) and told him to turn his phone 180 degrees.

Sam Marine

Then 30 minutes later, I jumped over to Cuffed Up's interview with Emily Kinney. Actually, I was interested in finding out how the two of them knew each other. They never got to that point, but they have an interesting conversation about music in this time of the pandemic. Emily mentioned that initially she didn't find it all that unusual to be stuck inside her house. Since she's also an actress, she's used to not working for a period of time. Then at the 30 minute mark, the video for Cuffed Up froze up though one could still hear his voice. They decided to end the conversation at that point due to the technical difficulties (which if you read one of my previous posts, you know that Emily is used to suffering through).

Cuffed Up/Emily Kinney

Sunstock Solar Festival 2018

This year's Sunstock Solar Festival took on the vibe of a prior festival called Bloomfest that used to happen in the Arts District. Sunstock took over Gramercy Place, which is between the major streets of Hollywood and Franklin in Hollywood. The street had a stage on one end and then various food trucks, advocacy tables, vendors and art installations set up along the street corridor. There was even a children's tent. Though Gramercy might be a relatively unknown street in Los Angeles, there were plenty of ways to get to it via public transportation. I personally took the opportunity to jump on the 180 metro line to get to the festival. There was also a very chill environment surrounding the festival. There was no formal entrance. No one was checking bags. Though there were police and security, they mainly stayed at the two entrances and the beer garden. It really had a neighborhood feel to it, which is also what made Bloomfest so fun (even though in both Bloomfest and Sunstock cases, I did not live in the neighborhoods).

Karmic

You also know an event is a success when crowds refuse to allow the final band of the night to stop singing, Karmic. In fact, the crowd pushed Karmic to go 5 minutes pass the 10 p.m. cut-off time by demanding an encore. The crowd just ate up this duo's electronic pop beats.

Top Shelf Brass Band

Trapdoor Social

Top Shelf Brass Band perhaps stole the day with their brass band sounds. They had the crowd dancing and basically going nuts throughout their 30 minute set. Trapdoor Social, led by Sunstock Solar Festival founder Skylar, also got the crowd going with their anthem sounding rock-pop sounds.

Valley Hush

Valley Hush opened the festival with some chill vibes. One individual in the crowd told me that they are for sure the next indie band from Los Angeles to breakout.

Kinney

Kinney had a short set just before Karmic hit the stage. One has to give her the award for being the most supportive musician of the festival. She was out there dancing along to nearly all the bands.

El Mañana

The Epilogues

Other bands playing the festival were El Mañana, The Epilogues and Cayucas. The Epilogues were playing their first set after a couple years apart. Essentially, it was their reunion show. Cayucas brought some tropical sounds. Did I really see 3 synth/keyboards spread across the stage? El Mañana brought some Latin American inspired pop sounds.

Cayucas

Top 15 Los Angeles New Bands (new to me, but maybe not new to you) of 2017

I've done Top 10 lists for a number of years, but 2017 was so much fun, I couldn't limit my list to just 10 bands. Over the past couple weeks different band names kept popping up in my mind. So for 2017, I'm expanding my list to Top 15.

15: Pipe Dreams

August: So Jana Ghost was one of my first Instagram followers. I soon noticed that she was in a band called Pipe Dreams. It took around a year, but I finally caught her band at Echo Park Rising. LoFi with a who cares attitude.

Pipe Dreams at Harvard & Stone

14: Warbly Jets

January: They did the first residency night at The Satellite for 2017. I went twice. I seldom go to see a residency twice. The venue was packed. The music. The crowd. I felt swept away.

Warbly Jets at The Satellite

13: Goon

July: I first saw Goon randomly when heading out to catch a prior year Top Ten selection: Alyeska. Go see a favorite and find another favorite.

Goon at The Echo

12: Lucy & La Mer

August: My first interaction with the band wasn't because I saw them live. My first interaction was due to mistaken identity. Well, I decided to check out the band. This band can be rather deceptive. Lyrics tinged with painful memories against a backdrop of catchy melodies.

Lucy & La Mer at Chinatown Summer Nights

11: Ever So Android

March: I first saw them at The Hi Hat. They were the last band up. There were just a handful of us still around. I honestly was planning on sticking around for just a couple songs and then take off. They started to play and I fell in love. They know how to work a stage.

Ever So Android at The Hi Hat

10: Gypsum

October: Immediate reaction was: they sound like Local Natives!

Gypsum at The Echo

9: Zealyn

April: I first saw Zealyn at Broke LA. She has the most awe inspiring vocals and she moves so quickly that my camera has a hard time capturing her without blurs. By far my favorite idol.

Zealyn at Hotel Cafe

8: Trapdoor Social

September: You'll want to head out into nature and dance. Plus, this band puts on an awesome festival run totally by solar power.

Trapdoor Social at the Sunstock Solar Festival

7: Lily Waters

October: Combine Lauren Ruth Ward and LP together and you have Lily Waters.

Lily Waters at The Smell

6: Lauren Ruth Ward

March: Went to Harvard & Stone on a random night. Came across Lauren Ruth Ward. Addicted since that time. I'm sure many others out there would agree.

Lauren Ruth Ward at Harvard & Stone

5: Francisca Valenzuela

September: As is my norm every year, I head out to Chinatown Summer Nights. On this particular day, it was really hot and I was thinking of just going there later in the evening. But I changed my mind and went out early. I'm so happy I did. Her songs were in Spanish and I don't speak Spanish, but it didn't matter. I was listening to wonder.

Francisca Valenzuela at Chinatown Summer Nights

4: JaneLane

August: I first saw JaneLane at Echo Park Rising. Romantic disappointments against a soft touch of dreamy music. Now why wouldn't you love that?

JaneLane at The Smell

3: Holy Wars

June: My history with Holy Wars actually goes back a few years when there was a band called Sad Robot. I count this as a re-incarnation into a totally new sound and band. Some may find their music too emotionally painful. I find it to be emotionally cathartic.

Holy Wars at Harvard & Stone

2: Kid Wave/Lea Emmery

April: I had the opportunity to interview Kid Wave and got into a "debate" about what was the band's best song. She said "Everything Changes." I said "Wonderlust." I'm not going to lie: this is one of the few times I've seen a local Los Angeles band for the first time and known most of their songs beforehand. In my pre-interview research, I clicked on one song and then couldn't stop listening.

Kid Wave at Broke LA

1: Potty Mouth

January: 2017 started off with a big bang for me in terms of the Los Angeles music scene. And one of the main reasons is that I came across Potty Mouth. During their set, I was just blown away. I didn't want the music to end. I'm listing them #1 for a reason: for me, my go to Los Angeles band to listen to online is Potty Mouth.

Potty Mouth at The Hi Hat

Hope you've enjoyed this list. I have to say that this year was one of my favorite ever in terms of finding new bands. Ranks right up with those years where I first came across bands like Eastern Conference Champions, Family of the Year, Grouplove, and Local Natives.

Quick Hit Band Interview: Trapdoor Social

Trapdoor Social at Sunstock Solar Festival

Q&A time with the band. Hope you enjoy:

How would you describe your sound? We like to say indie/alternative rock. Kinda like the baby of Radiohead and Death Cab for Cutie who then goes to school and hangs out with all of Tame Impala, White Lies, Macklemore and Muse's kids, and almost forgets where he came from.

Do you think you have a message or objective with your music? If so, what is it? We try to promote sustainability with our work. We think about the ways people might inadvertently cause suffering on a huge scale and see if we can't talk the world around us out of it. The environment is a big issue for us.

Do you have a favorite memory or any thoughts about the Sunstock Solar Festival? I really appreciate the people I meet at the end of the night who say "everyone I met here today are my kind of people - they care, and want to make a difference - this is my community". That's what we want to build.

Sunstock Solar Festival 2017

Sunstock Solar Festival. Just to get it out of the way: there were major technical problems with one of the stages and some minor ones on another stage that resulted in four bands not getting to play their sets: YIP YOPS, SWIMM, Fuzzy Crystals and Wild Cub. The festival organizers dealt with it great. I had wanted to see YIP YOPS for a second time as I knew they'd put on an amazing show. I walked over when I began to suspect that something was up and I over-heard one of the organizers talking with them and expressing the festival's regrets. Trapdoor Social, during their set, mentioned the names of the bands that weren't able to play. In fact, if it wasn't for a special appearance, it sounded like Trapdoor Social would have given up their spot to one of the bands. And then the festival itself gave out a drink ticket to everyone as a make up. A great response.

Bloodboy opened the festival, jamming her way through her set with some '60s poetry slam sounds. She commanded the stage, putting on moves that sent her on multiple journeys from one end of the stage to the other. Freedom Fry went up and had to deal with some stage issues. They dealt with it gracefully. The band went to the edge of the stage and played an acoustic song until the situation could be rectified. Wildling had to deal with the same stage issues as with Freedom Fry and made lite of it with some humorous quips, "The sun is out, right?" They ended their set doing two acoustic songs with just the metal barricade separating them from an adoring group of fans. For me, the troubles that resulted for Freedom Fry and Wildling ended up making the early part of the festival more intimate. And brought out some nice quips when one of the bands said something really old-school, "You know we're not Milli Vanilli."

The technical issues got resolved and the festival kicked into high gear. First though, some bands needed to go through sound checks. Run River North was doing their sound check when one of the sound guys said, "You have three minutes left." Someone in the band asked, "Why?" Response, "Some acoustic guitar guy is coming on in three minutes. That's all I know." Ha ha, Chris Whitehall of The Griswolds, who was that guy, obviously overheard that and used it a few times while on stage. "You can find me at AcousticGuitarGuy dot com . . . dot au."

Comment one of the festival by Chris Whitehall: In America, you worship God. In Australia, we worship kangaroos and Vegemite.

Run River North brought the indie folk sounds. Here's what I noticed: the violinist was stuck in this small section of the stage during their whole set until the very end. At the end, she put down the violin and went wild crazy on stage. It was awesome.

Comment two of the festival by Run River North: I'm Steve Aoki and this is my side project.

Trapdoor Social went all out for their set. Prior, I noticed that a high school band had shown up. I was thinking that maybe there was going to be this special moment where they were going to blast out a couple fight songs. I never even thought that for Trapdoor Social's final song that the high school band from South Pasadena would encircle the festival goers and play along with the band. It was awesome.

Best band of the festival award: Yeah, Trapdoor Social killed it with their catchy tunes and, of course, the high school band guest appearance.

Robert DeLong gave us the pulsating electronic sounds. Though my bias was towards Trapdoor Social as being the band of the festival, the festival goers were all behind Robert DeLong. The festival organizers brought out the balloons and a balloon party went on throughout the set. Some of the balloons would end up in the photo pit and various photographers would toss the balloons back into the eager crowd. It was party time at Sunstock Solar Festival.

The Soft White Sixties lead singer knows how to slide across a stage floor like Fred Astaire. With dancing like that, you have to feel inspire.

Comment three of the festival by The Soft White Sixties: What happened to that molecule you were tossing around?

Ra Ra Riot closed out the night with some pop indie sounds. They had a moment of hilarity when the lead singer, Wes, jumped behind the bassist, Mattieu, stuck his arms between those of his band mate's and gave the audience two thumbs up.

Final thoughts: an unfortunate technical problem to start off the festival, but it ended with a bang. This is the second year of the festival. I wasn't able to go to the first year (which featured a favorite band of mine, Cults) Here's hoping to continued growth for this festival and continued improvements and advances in solar power.