School Night: BIIANCO with LA Force, Jesse Ruben and MADI

Gabby from Smoke Season has created a solo project called BIIANCO. I got to catch her set at School Night and it was a thrill. I wasn't the only one thrilled by the set. Throughout the 30 minutes, people were screaming out: Gabby! Gabby! Gabby! As her backing instruments, she had a keyboard and electronic drum set. Occasionally, she'd play both at the same time. Those electronic sounds was layered with controlled vocals that floated just above the beats. Adding to it all were Gabby's artsy dance moves and visuals on a large screen TV.

She was joined on stage by MetronOhm's Annabelle on violin for a song and Tolliver on vocals for another.

BIIANCO

Opening the night was Jesse Ruben with a singer-songwriter set. He mentioned how he had to take 3 years off from performing and writing due to Lyme disease. After taking so much time off from performing and writing, he was thrilled when he returned to writing, "I still got it." He also joked about how the other three performers all got to say this was their Los Angeles debut. Unfortunately for him, he had once performed at Hotel Cafe and didn't qualify for that label.

Jesse Ruben

La Force came on stage next. La Force is Ariel Engle of Broken Social Scene. She was back by her husband. From what I can tell from social media, Broken Social Scene tore it up for 3 days at the Fonda starting a couple days after this set. On this night, she brought some indie pop sounds to the School Night audience. She sprinkled in short comments such as when she told her mother she was pregnant, her mother responded, "You'll never be alone again."

La Force

MADI closed out the night. Her set started a few minutes late as her drummer was dealing with technical difficulties. During those times, I couldn't help but notice the amusing side eyes she gave the sound guy as he attempted to figure out what the issue was. After it got worked out, she closed the night out with some grooving dance sounds.

MADI

Quick Hit Artist Interview: Dylan Rodrigue

Dylan Rodrigue at The Hi Hat

Interview with the artist. Enjoy:

What is currently influencing you in creating your music? Currently, I am interested in trying to dissect the human experience in music. We are such a confusing and complicated species and a lot of what I have been writing about is simply questioning why we all do the things we do. We are capable of such amazing and horrifying things, both of which I am very much interested in. Lately, this results in some songs that reflect on certain extremes that may be disturbing to some people at first glance. I tend to be of the opinion that it’s better to piss someone off with what I do than to leave them bored. More often than not, I find that the things that disturb me are the things I’m most fascinated with.

For you and your music future, how would you define success? I would like to be able to make a reasonable living touring with music. I really try not to spend too much time measuring my own success. My main goals are to be able to keep playing and writing music, growing as a musician, and to be as good of a person as I possibly can. I have found that it’s always good to keep in mind how much you have to be grateful for. The more I take what I have for granted, the more I think of success as some intangible thing that’s always just out of reach. Life is hard already and I have no desire to make it harder for myself. I’m trying to live in the now like all of them Buddhists.

Quick Hit Artist Interview: Xuan

Xuan at The Satellite

Interview with the artist. Enjoy:

When did you know you wanted to be a musician? In Kindergarten. I wanted to be a musician and I wanted to kiss Danny Parrot.

What’s a dream venue or festival you’d love to play at and what about it intrigues you? Newport Folk Festival - damn good songwriters only.

Own final thoughts: Who knows when an alligator could bite your face off, so I really do try to put on a fun show like it’s the last damn show I’m ever going to do.

Troubadour: The Final Child with Thomas Ian Nicholas, Alisan Porter and Brian Buckley Band

I've wanted to catch Final Child since I ran into Jennifer (lead singer) at The Hi Hat back in February when she told me she had this new project. I've followed Jennifer's music career for a few years now. I first ran across her in the folk driven sounds of Bloke and Bird. For Final Child, she switches genres to some dance driven sounds. For Bloke and Bird, I caught her sets on very small stages such as Harvard and Stone. The much larger stage of The Troubadour definitely worked to her advantage, giving her the opportunity to put on a solid stage show.

Final Child

The night also included some notables. Thomas Ian Nicholas and his band hit the stage. Yes, Kevin of the American Pie series. I figured that after so many years, he might not be thrilled about being known as that Kevin, but he more than embraced it by ending the set playing a couple songs from the soundtracks. It was also cool that he let rock campers back him for a song.

Thomas Ian Nicholas

Alisan Porter is another notable who won The Voice in 2016. I'll admit that I don't watch The Voice so I had no clue who she was until I googled her name after the show. Of course, I had to google her name because her vocals were pristine. What an amazing singer-songwriter. The audience knew who she was and demanded an encore.

Alisan Porter

Brian Buckley Band closed out the night. Though he was following Final Child, Thomas Ian Nicholas and Alisan Porter, this night belonged to him. There is an earnest honesty to his music. It doesn't matter if the subject deals with his love of his wife or about his political passions. One particular story he told was about how his wife was dealing with some pain (he didn't specify). He ended up writing a song about this. When his wife was listening to the album, she immediately knew that that particular song was meant for her. So touching.

Brian Buckley Band

Hotel Cafe: Ladypalooza

I noticed a last minute request from Lauren Lakis, asking if there were any photographers available for a late night gig of hers. I hadn't gotten a chance to catch her yet in 2019 yet and there is just something addicting about those dark moody sounds. With that, I volunteered to shoot the set. I'm glad I did, because I got to catch a couple other amazing musicians.

Up first, was Ariana Tibi. I wrote a blog post recently where I mentioned that I've wanted to catch Georgi Kay for awhile and was finally able to catch a set at The Hi Hat. Well, for Ariana Tibi, we seem to have similar music tastes, because I've seen her around various Los Angeles music venues. I just never knew she was a musician. Her set was filled with wonderful folk sounds.

She also had her band, Luci, join her for a couple songs. That's led to a little tidbit of a story behind their song, "White Horse." The song is about saying no thanks to knights in shining armor. It was mentioned that when they were writing the song in Ariana's apartment, a plumber was working in the apartment, fixing various issues. Of course, needing help on maintenance isn't the point of the song.

Ariana Tibi

Only on Tuesdays lead singer Autumn is the person running Ladypalooza. Autumn was sporting dyed blue hair and arm tattoos while wearing a flower patterned dress. I honestly wasn't sure what to expect from her set. Punk rock? Maybe an edgier version of Katy Perry? I was surprised by some storybook melody tunes. That doesn't mean that the band can't blast it out on some songs with Autumn powering out solid vocals.

Only on Tuesdays

Lauren Lakis closed out the night for me with an 11:30 p.m. set. Her band had some fun with the MC. When introducing Lauren, the MC totally messed up the pronunciation of Lauren's last name. For a moment, I was wondering if perhaps I was saying her last name wrong. Apparently, Lauren had quietly corrected the MC, because after the set the MC came up on stage and gave the correct pronunciation. Of course, she tossed the band members under the bus for playing a trick on her.

Lauren Lakis

The Satellite: Harry Katz and The Pistachios with Rambling Ways

I decided to catch the final night of Harry Katz and The Pistachios' residency night on a chilly last Monday of May. The music that night warmed things up.

Opening up was the thrilling sounds of Rambling Ways. They have those drug induced sounds of the 70s. I felt like I was floating two feet above the ground. Throw in some organ sounds. Add in a bassist who knows how to entertain. Then cap it off with a drummer who spins his sticks. That's 30 minutes of entertainment.

Rambling Ways

Harry Katz and The Pistachios had a bowl of pistachios stage left. When I first noticed the bowl, I was tempted to take a handful. The band is led by their lead singer's gravel vocals, but let's not forget that brass section that brings up images of skirts twirling and shoes tapping. Counterpoint to the brass section are soprano vocal support that punctuates the beats. And this band, they love to smile. That just shows their joy for the music.

Harry Katz and The Pistachios

Quick Hit Artist Interview: RF Shannon

RF Shannon at Harvard & Stone

Interview with the artist. Enjoy:

What's the story behind when you knew you wanted to be a musician? I decided to become a musician when I devoted myself to make sense of a world that is coming unhinged. No other pursuits seem to bring satisfaction to my soul in a way that I can bring my best self into existence.

What inspires you to write/compose your songs? I’m inspired by a responsibility to question the structures of so called reality, and bring a vibe of “something else,” still trying to figure out what that something else is.